ネイティブ・タン一派としてヒップホップ史を作ったレジェンド、デ・ラ・ソウルが12年ぶりに復帰!「ヒップホップのルーツに忠実に、制限なく音楽を作る」というコメント通り、200時間以上ものジャム・セッションを積み重ね制作したそう。抜け感のあるサウンドが彼ららしいスヌープとの共演"Pain"をはじめ、アッシャー、ピートロック、2チェインズなど豪華ゲスト陣も注目!

タワーレコード （2016/09/05）

A.T.C.Q.やジャングル・ブラザーズらと共にネイティブ・タン一派として、ヒップホップ史上、最も革新的な作品をリリースしてきたレジェンド・アーティスト、デ・ラ・ソウル。フル・メンバーとしては12年ぶり、8作目となるスタジオ・アルバムが遂にリリース!2015年にクラウドファンディング・サービスKickstarterで60万ドル(当時およそ7200万円)以上の支援を集めたことでも話題になった今作は、「ヒップホップのルーツに忠実に、我々は制限なく音楽を作る」というコメント通り、スタジオ・ミュージシャン達と録り貯めた200時間以上にものぼるというジャム・セッションを使用。デビューから20年以上経つ今作でも「セルフ・サンプリング」という新たな手法を採用し、自身達のヒップホップを見事に昇華、体現したまさに意欲作!HIP HOPシーンの礎を築いたレジェンド・グループの新作。これは見逃せない!

発売・販売元 提供資料 （2016/07/19）

Rolling Stone - 3.5 stars out of 4 -- "Tracks like the loopy 'Snoopies' and old-school throwdown 'Whoodeeni' are glorious bug-outs....Their greatest strength has always been not caring what hip-hop is supposed to sound like." Spin - "De La Soul have delivered one of their most ambitious and consistently rewarding albums....It's an LP that reaffirms De La Soul as standard-bearers for Gen-X rap artistry." Clash (Magazine) - "De La's expansive, maverick tendencies have frequently led them to places that less ambitious hip-hop crews usually shy away from....De La Soul commendably remain one of hip-hop's great independently-minded outlier acts."

Rovi

After releasing The Grind Date in 2004, the venerable hip-hop pioneers De La Soul were quiet on the album front until 2016's And the Anonymous Nobody. They were pretty busy otherwise though, working with the Gorillaz, making mixtapes, touring, and attempting to release their back catalog for free, much to Warner Bros. dismay. Dave and Posdnuos even made an album together, 2012's De La Soul's Plug 1 & Plug 2 Presents... By 2015, the trio were ready to make another record, this time without record label politics or samples. After a successful Kickstarter campaign raised some funds, they gathered up a group of friends and musicians from their live band, then began recording beats and jams, almost 200 hours' worth. They then took the best bits, constructed a batch of songs, and started working on a guest list. Though Willie Nelson and Axl Rose turned them down, old pal Damon Albarn and an impressive array of people like Usher, Jill Scott, Snoop Dogg, 2Chainz, and David Byrne did sign on. Working with live musicians and guests inspired the group to take their sound to new places along with their laid-back golden age rap style. "Lord Intended," which features vocals by Darkness frontman Justin Hawkins, swerves into hard-rocking, guitar soloing territory, the Damon Albarn feature "Here in After" is jangling indie rock, and "Unfold" dips into Wild West cowboy balladry. The best of the left-field collabos is the Afrofunk-sampling, David Byrne-sung "Snoopies," which sounds like a Talking Heads song and a classic De La song jammed together. Where the album really shines is when the band loses any experimental pretense and just drops some solid hip-hop. Tracks like "Pain" and "Trainwreck" are funky and loose, "Royalty Capes" is tough and tight, "Whoodeeni" is lots of fun, and "Memory Of..." is a sweet, nostalgic, and sad ballad with classic Pete Rock production and lovely vocals by Estelle. In a better world, it would be a radio hit. On these tracks, Dave and Pos drop memorable lines and nimbly thread their raps through the live instrumentation like the seasoned pros they are, sounding like they haven't aged much at all since Three Feet High, though their lyrical concerns are definitely more grown up at this point. ~ Tim Sendra

Rovi