フォーマット |
CD |
---|---|
構成数 |
1 |
国内/輸入 |
輸入 (ヨーロッパ盤) |
パッケージ仕様 |
- |
発売日 |
2017年06月02日 |
---|---|
規格品番 |
7559793753 |
レーベル |
|
SKU |
075597937534 |
構成数 | 1枚
合計収録時間 | 00:32:40
Recording information: Easy Eye Sound, Nashville, TN. When Dan Auerbach released his debut solo album Keep It Hid in 2009, the Black Keys were on the verge of superstardom; so his solo album was a busman's holiday, not the start of a career. Waiting on a Song, its 2017 sequel, arrives in the midst of an extended hiatus from the Black Keys, who took a breather after a run of blockbusters that coincided with Auerbach establishing himself as a producer of note. On these extracurricular projects, Auerbach broadened his sonic palette, working with everybody from Americana stalwart Ray LaMontagne to post-modern noir diva Lana Del Rey, and he brings this new bag of tricks to Waiting on a Song. Having more in common with the groovy classic soul moves of his 2015 side project the Arcs than the heavy-footed stomp of the Black Keys, Waiting on a Song's heart lies in the glimmering productions of Jeff Lynne in the late '80s. "Shine on Me" glistens like an outtake from the Traveling Wilburys, and it's not an isolated incident. Auerbach keeps circling back to this bright, cheerful sound, accentuating it with elements of Memphis soul and an undercurrent of classically constructed Americana. The title Waiting on a Song hints at such craftsmanship, and it was co-written by John Prine and Pat McLaughlin, whose presence suggests that Auerbach is adding "singer/songwriter" to his impressive resume. The thing about this album is, it shows the power of craft across the board: Auerbach's become a vivid, imaginative producer and now he's writing songs to match. ~ Stephen Thomas Erlewine
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1.[CD]
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1.Waiting on a Song
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2.Malibu Man
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3.Livin' in Sin
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4.Shine on Me
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5.King of a One Horse Town
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6.Never in My Wildest Dreams
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7.Cherrybomb
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8.Stand by My Girl
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9.Undertow
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10.Show Me
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ブラック・キーズの片割れとして長期のツアーとレコーディングを繰り返してきたダンが、しばしナッシュヴィルに腰を据えて、ドブロ・ギターの名手であるジェリー・ダグラスらと作り上げたソロ2作目。8年前の前作では本隊に通じるガレージーな音を鳴らしていたが、今回は70sテイスト溢れるカントリー・ロック盤に。歌い方もメロディーも演奏も全部が柔らかく、聴いているだけで疲れが取れそう。
bounce (C)吾郎メモタワーレコード (vol.404(2017年6月25日発行号)掲載)
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